Tag Archives: red

My Inspiration for August 2017

31 Aug

August brought reveries of Madame Bovary, soft Edwardian lace and warm rich Pre-Raphaelite colours. I was inspired by Rossetti’s redheads, white dresses, Lord Tennyson’s poem “Lady of Shalott”, Iggy Pop, Marvin Gaye and Falco, Frida Kahlo, poetry by Langston Hughes, circus in art and the loneliness of the trapeze artist in Wings of Desire (1987), dreaminess of the sea waves and pebbles and songs of seagulls, paintings by Stephen Mackey, shabby chic aesthetic, teddy bears. I watched a few great films: Stella Maris (1918) with Mary Pickford, Before Night Falls (2000) about the Cuban poet Reinaldo Arenas, “bad poet in love with the moon” as he wrote in his self-epitaph, played by Javier Bardem, Smoke (1995) which was so cool! I’ve read The Lady of the Camellias by Alexandre Dumas which I enjoyed very much, An Education by Lynn Berber (I still prefer the film with Carey Mulligan though), The Scarlett Letter by Hawthorne, The Legend of Sleepy Hollow by Washington Irving, and the most fascinating discovery The House of the Spirits by Isabel Allende which has elements of magic realism and bears resemblance to Márquez’s One Hundred Years of Solitude. Oh, those gold afternoons of August, writing poetry and daydreaming, gentle breeze and birdsong coming through the open window, waking up from a reverie only to step outside and admire the sunset in blazing pinks, orange, yellow and lilacs.

“Things I hold most dear: music, nature, poetry, solitude.” (Marina Tsvetayeva)

Source: here.

 

Source: here.

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Jean-Louis Forain – Elegant Woman at the Beach

22 Feb

‘Adrift in cheap dreams don’t stop the rain.’ (Manic Street Preachers – Motown Junk)

1885-jean-louis-forain-elegant-woman-at-the-beach-1885Jean-Louis Forain, Elegant Woman at the Beach, 1885

The colours and the mood of this painting instantly attracted me. An elegant lady is trying to leave the beach as quick as possible, to avoid the upcoming storm, but the wind is not making it easy for her. Exuding sophistication and class, she must be a Parisian lady who came to the seaside on holiday, hoping to find some peace from the stresses of modern life. Instead of enjoying a picturesque sunny day at the beach, with smiling white clouds and a clear blue sky, she’s welcomed by a turbulent sea and an overcast day, oh how aggravating!

Let’s imagine her name is Celestine, and that this is a one of those sudden storms at the height of Summer, let’s imagine it’s one Thursday afternoon in July. So, Celestine is in a hurry, because she knows that even cheap dreams don’t stop the rain. It seems that just a second ago she lifted her arms and dropped her umbrella, quick not to allow the wind to take over her lovely bonnet. We can see the direction the wind is blowing because the ends of her coat are turned upwards and her red scarf, painted in just few dabs of rich cherry colour, is dancing on the wind. Her vibrant garnet red dress and a navy blue coat stand out amidst all that greyness, which irresistibly reminds me of Anna Karina’s blue and red outfits against the backdrop of grey Parisian streets in Godard’s film ‘Une Femme est Une Femme’. Swift, thick and short brushstrokes are present everywhere, but most notably on her skirt, where the black and red seem to be battling for dominance over the fabric.

I’m sure Celestine would like me to talk more about that lovely outfit that she put together for a walk at the beach, but I think the sea and the beach itself deserve a moment of attention and appreciation. As Forain was an Impressionist, and a friend of Manet and Degas who even invited him to exhibit on the Impressionist exhibitions, he wanted to capture the mood, the magic effects of light and air, rather than perfect details and realistic portrayal of landscape. His careless brushwork and the illusion that everything was painted hastily, as a sketch, all bring to life the atmosphere of that gloomy afternoon: we witness the white clouds being devoured by the dark-grey ones, with almost a purplish undertone to them, we see the wind as it tries to blow Celestine’s bonnet, and probably carries the tiny particles of sand in her eyes, and the sea – we can hear the clasps of waves, and see their strength, beauty and naughty playfulness. This is a moment captured in time, like a photograph. And do I sense a spirit of Turner or Whistler in that portrayal of sea?

It’s hard to notice the line which separates the sandy beach and the sea, but this vagueness delights me. There’s a chair next to the lady, also painted in quick brushstrokes, and two small figures in the background. Sea is painted in beautiful sea foam colour. All in all, the beauty of this painting, for me, lies in its quick, exciting, playful brushstrokes and a gorgeous colour palette in which harmony of greys meets the vibrancy of reds and blues.

Rain, storm, and a desolate beach – my idea of heaven, or at least a perfect afternoon.