Tag Archives: Inspiration

My Inspiration for March 2017

31 Mar

An artist I was particularly obsessed with this month is Egon Schiele – even the sparrows in my garden know this by now. Beware, there’s more to come about his genius! Other things that inspired me were: John Keats’s beautiful and poignant letters to Fanny Brawne and film Bright Star (2009), music by Blondie, The Police, Gang of Four, the soundtrack for Marie Antoinette (2006); a film which I am not a big fan of despite the gorgeous costumes. Also, I’ve really liked the version of the song ‘Summer Wine’ sung by Ville Valo and Natalia Avelon:

“Strawberries, cherries and an angel’s kiss in spring
My summer wine is really made from all these things”

Even though spring has just started, I don’t think I’ve ever felt it so deeply and profoundly. I walk the streets wide-eyed like a madman, gazing at blossoming trees in awe, picking flowers wherever I see them; gentle violets, apple twigs and fragrant daffodils have all found their way to my vase. The beauty of trees in bloom and pink sunsets is killing me so sweetly and slowly. And in April I shall spend my evenings sitting by the window, reading poetry and listening to Chopin, and my daydreams shall start and my heart shall be filled with delight when I take in the intoxicating fragrance of lilac trees. Expect an utterly romantic and indolent mood for April!

Inspiration: Sad Veiled Brides

4 Feb

Sad veiled bride please be happy

Handsome groom, give her room

Loud, loutish lover treat her kindly

Though she needs you

More than she loves you…” (The Smiths – I Know It’s Over)

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She’d walk on broken glass for love
She thought burnt skin would please her lover
To keep love alive and lust beside
Kind people should never be treated like…

Empty arms and naked heart
The love she sought through faltering thought
Table for two, such a sweet delight
Whispers “I love you my darling” tonight…” (Manic Street Preachers – She Bathed Herself In A Bath of Bleach)

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Foto: SMK Foto Statens Museum for Kunst Sølvgade 48-50 1307 København K DANMARK e-mail: foto@smk.dk www.smk.dk

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lemony-snickets-22lemony-snickets-21lemony-snickets-261844. march wedding dress and day dress

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1920s-wedding-dress-pretty1861. wedding dresses, godey's ladies bookhelena bonham carter miss havishancorpse bride 4

1911-frederick-william-elwell-the-wedding-dress-reminds-me-of-jane-eyre1915-wedding-dress-lucile-british-1863-1935-british-silk-cotton-plastic-metal1907-jacques-doucet-wedding-veil-21871-princess-louise-on-her-wedding-day 1860-adelina-patti-by-franz-xaver-winterhalter 1860-elisabeth-sissi 1862-princess-alice-of-the-united-kingdom 1867-william-powell-frith-alexandra-of-denmark-princess-of-wales-1867 is-this-a-design-by-galliano-inspired-by-luisa-casati lily-cole-8 madame-reve-sasha-pivovarova-by-miles-aldridge-6

4X5 original

4X5 original

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My Inspiration for January 2017

31 Jan

One more January has come to an end. And what an utterly dreamy January this was!

I was inspired by psychedelic and vibrant Art Nouveau paintings by Vittorio Zecchin, Claude Monet’s London scenes, Picasso’s guitars, film Sid and Nancy (1986) with Gary Oldman as Sid Vicious – it’s absolutely brilliant and I watched it two times. Then I was interested to know more about The Sex Pistols, so I watched a documentary about them called ‘Filth and the Fury‘ which was very interesting.

Regards literature, my years started with some really fantastic books: I’ve read No Longer Human by Osamu Dazai, White Nights by Dostoyevsky – a tale about a dreamer who meets with a girl few nights in a row, and a collection of stories by Ryunosuke Akutagawa; you’ll hear more about these things very soon! Naturally, I daydreamed about long, white Russian winters, then about mystic lakes, long haired maidens, old castles and Ophelia, and then about Japanese Ukiyo-e prints, and then about Madame Bovary’s loneliness in provincial town, whilst listening to Chopin. And now – my thoughts are in the East entirely. I’ve allowed myself to drift into daydreams, and my day to day existence was suddenly coloured in sweet and rosy shades.

I’ve discovered so much great music that it’s unbelievable; The Kinks, The Who’s album ‘Who’s Next’, Tin Soldier by Small Faces, a bit of Donovan, some songs by Tindersticks, which I’ve known before, have captivated me: Travel Light and Another Night In, and I listened to some old favourites such as The Velvet Underground, Manic Street Preachers, The Clash and 13th Floor Elevators. All in all, a real collage of inspirations for this month.

February, I have high hopes for you, please don’t disappoint me!

bridevictorian-style-model-flaunting-michal-negrins-intricate-jewelry-6far-from-the-madding-crowd-2015-dir-thomas-vinterbergtantallon-castle-scotland-castle-in-the-cloudslong-haired-girlVittorio Zecchin

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1893-portrait-einer-dame-in-blauem-kleid-anton-ebert-detailastrid-berges-frisbey-photographed-by-ellen-von-unwerth-for-vogue-italia-march-20121889-ophelia-john-william-waterhousesasha-pivovarovna-2

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Inspiration: Long Haired Maidens, Veils and Mystic Waters

19 Jan

Here’s some pictures that were inspirational to me these days: Ophelia-like maidens with long hair and veils, black lace in Victorian portraits, dark and mystic waters of lakes, romantic ruins of Medieval castles, sculptures overgrown with ivy, flower crowns and old letters, and some beautiful verses from Percy Bysshe Shelley’s poem ‘Invocation’:

(…) I love waves, and winds, and storms,
Everything almost
Which is Nature’s, and may be
Untainted by man’s misery.

I love tranquil solitude,
And such society
As is quiet, wise, and good: –
Between thee and me
What diff’rence? but thou dost possess
The things I seek, not love them less…“(*)

astrid-berges-frisbey-photographed-by-ellen-von-unwerth-for-vogue-italia-march-2012 1846-47-johann-peter-hasenclever-die-sentimentale-c1846-47

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Away, away, from men and towns,
To the wild wood and the downs –
To the silent wilderness
Where the soul need not repress
Its music, lest it should not find
An echo in another’s mind,
While the touch of Nature’s art
Harmonizes heart to heart.” (Percy Bysshe Shelley – The Invitation)

1906-thomas-bromley-blacklock-1863-1903-sea-maidens 1956-cuban-nightgown 1889-ophelia-john-william-waterhousefar-from-the-madding-crowd-2015-dir-thomas-vinterberg

1920s-friday-flirtation 1939-corset baroque-lady-1tiny-castle-built-for-ducks-in-portugal

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by Bassano, whole-plate glass negative, 1913

by Bassano, whole-plate glass negative, 1913

1905-gordon-dye-hosiery-ad 1900-lina-cavalieri-she-was-considered-one-the-most-beautiful-woman-in-the-world-as-a-young-girl-she-ran-from-the-orphanage-with-a-theatre-group-made-career-as-vaudeville-singer-first-in-paris enchanting-and-mysterious-shoot-1 guinevere-van-seenus-in-givenchy-fall-2008-haute-couture-photographed-by-tim-walker-for-vogue-italia-march-2011 girl-with-a-raven nymph-marcin-nagraba long-haired-girl guinevere-van-seenus-for-vogue-italia-by-tim-walker-1 lady-in-the-water-photo piano-jane-eyre-style statute-in-the-grass-1 tantallon-castle-scotland-castle-in-the-clouds victorian-style-model-flaunting-michal-negrins-intricate-jewelry-1 victorian-style-model-flaunting-michal-negrins-intricate-jewelry-6 victorian-style-model-flaunting-michal-negrins-intricate-jewelry-2 witch-in-the-woods voodica-photography-wreszcie-ophelia-myth-model-kaja-mua-sonia-osiecka-pria-make-up-photo-marta-voodica-ciosek alana-zimmer-for-marie-claire-italy-august-2010-is-into-the-blue-1 gothic-lolita-fucking-great-photo

Syd Barrett – Favourite Artists and Artworks

6 Jan

Today would have been Syd Barrett’s birthday, and, as always, I decided to write a post to commemorate that. In 2016 I wrote about British Psychedelia and in 2015 I wrote about Syd’s fashion style. You can check those out if you like, but today we’re going to focus on two topics that I like – Syd and art. Despite having achieved fame as a musician, first with Pink Floyd, and then later with two solo-albums, Syd was a painter first and foremost. He attended the Camberwell School of Arts and Crafts in London, and continued painting later in life. Let’s take a look at the artists and artworks Syd loved!

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Syd’s first passion was art. Some even went as far as saying that he was a better painter than a musician. Even David Gilmour said that Syd was talented at art before he did guitar. I’ve seen his paintings, and I wouldn’t agree. What could surpass the beauty that he’s created musically?

All quotes in this post are from the book ‘Syd Barrett and Pink Floyd: Dark Globe’ by Julian Palacios, and so is this one: ‘Waters brought older, upper-class friends round to Barrett’s house after school, among them Andrew Rawlinson and Bob Klose. They found him painting, paint below his easel, newspaper as a drop cloth and brushes on the windowsill. Painting and music ran in tandem, and Barrett was good at both. (…) Barrett sketched, painted and wrote, his output prolific.

syd-80Syd holding one of his paintings.

Syd first attended the Saturday-morning classes at Homerton College, and then started a two-year programme at the Cambridgeshire College of Arts and Technology in autumn 1962. Along with his enthusiasm and skill at painting, he was good at memorising dates and authors of paintings. Here’s another quote that demonstrates Syd’s painting technique: ‘Syd drew and painted with ease, demonstrating a deft balance between shadow and light. He had a talent for portraits, though his subjects sometimes looked somewhat frozen. Best at quick drawings, Syd had a good feel for abstract art, creating bright canvases in red and blue.‘ It seems to me that Syd would have loved Rothko; an American Abstract-Expressionist artist who painted his canvases in strong colours with spiritual vibe.

Then, in autumn of 1964, Syd came to London to study at Camberwell School of Arts and Crafts. The curriculum at Camberwell was more rigorous than what Syd was used to at his previous college of arts: ‘At Camberwell, drawing formed the core curriculum. Tutors put Barrett through his paces working in different mediums and materials.‘ Syd’s art tutor, Christopher Chamberlain was taken with Syd’s tendency to paint in blunt, careless brushstrokes. Later in life, Barrett tended to burn his paintings, ‘psychedelic paintings, vaguely reminiscent of Jackson Pollock‘ because he believed that the point lies in creation and the finished product is unimportant. I can’t understand that at all – my paintings are my children.

Now I’ll be talking about seven artists that are in one way or another connected to Syd Barrett.

1918. Hébuterne by ModiglianiAmedeo Modigliani, Portrait of Jeanne Hébuterne, 1918

Modigliani

Sitting cross-legged in the cellar at Hills Road, Mick Rock was impressed as Syd rolled a joint with quick, nimble had. Nicely stoned, they listened to blues and talked about Italian painter Amedeo Modigliani, until the morning light peeked through the narrow slot windows.

Amedeo Modigliani; whose name itself sounds like a sad hymn of beauty, is perhaps one of the most unsung heroes of the art world. And the story of Amedeo and Jeanne’s love is perhaps the saddest of all. When Modigliani died, she couldn’t bear life without him so she threw herself out of the window, eight months pregnant at the time, oh how engulfed in sadness that January of 1920 must have been. Modigliani painted women, he painted them nude, and he painted their heads with large sad eyes, elongated faces, long necks and sloping shoulders. I think Modigliani expressed melancholy and the fragility of life like no other painter. I can’t tell for sure that Syd loved Modigliani, but since he talked about him, I take it that he was at least interested in the story behind his art. I would really like to hear that conversation between Syd and Rock.

gustav klimt beechwood forestGustav Klimt, Beechwood forest, 1902

Klimt

Appealing to Barrett’s Cantabrigian sensibilities were paintings like Gustav Klimt’s 1903 Beechwood Forest, where dense beech trees blot the sky, each leaf captured in one golden brushstroke.

Smouldering eroticism pervades all of Gustav Klimt’s artworks. Sometimes flamboyant, at other occasions toned down, but always burning in the shadow. In ‘Beechwood Forest’, Klimt paints trees with sensuality and elegance. He always painted landscape as a means of meditation, usually on holidays spent in Litzlberg at Lake Attersee, enjoying the warm, sunny days with his life companion Emilie Flöge. Klimt approached painting landscapes the same way he painted women, with visible sensuality and liveliness. The absence of people in all of his landscapes suggest that Klimt perceived the landscape as a living being, mystical pantheism was always prevalent. The nature, in all its greenness, freshness and mystery, was a beautiful woman for Klimt.

1891. James Ensor, Skeletons Fighting Over a Hanged ManJames Ensor, Skeletons Fighting Over a Hanged Man, 1891

James Ensor

Stephen Pyle recalled that Syd’s main interests were expressionist artist Chaim Soutine and surrealist painters Salvador Dali and James Ensor. Ensor’s surreal party of clowns with skeletons cropped up in his artwork even thirty years later.

Belgian painter James Ensor (1860-1949) was a true innovator of the late 19th century art. He was alone and misunderstood amongst his contemporaries, just like many revolutionary artists are, but he helped in clearing the path for some art movements like Surrealism and Expressions which would turn out to be more popular than Ensor himself. Painting ‘Skeletons Fighting Over a Hanged Man’ is a good example of Ensor’s themes and style of painting: skeletons, puppets, masks and intrigues painted in thick but small brushstrokes, with just a hint of morbidness all found their place in Ensor’s art. There’s no doubt that Barrett was inspired by the twisted whimsicality and playfulness of Ensor’s canvases.

1920. Les Maisons by SoutineChaim Soutine, Les Maisons, 1920

Soutine

Art historian William Shutes noted,Barrett used large single brushstrokes, built up layer by layer, layer over layer, like relief contours.

Chaim Soutine was a wilful eccentric, an Eastern Jew, an introvert who left no diaries and only a few letters. But he left a lot of paintings, mostly landscapes that all present us with his bitter visions of the world. He painted in thick, heavy brushstrokes laden with pain, anger, resentment and loneliness. In ‘Les Maisons’ the houses are crooked, elongated, painted in murky earthy colours. Their mood of alienation and instability is ever present in Soutine’s art. He portrayed his depression and psychological instability very eloquently. Description of Barrett’s style of painting, layers and layers of colour, relief brushstrokes, reminds me very much of the way Soutine painted; in heavy brushstrokes, tormented by pain and longings, as if layering colours could release the burden off of his soul.

Ren? Magritte, The Son of Man, 1964, Restored by Shimon D. Yanowitz, 2009 øðä îàâøéè, áðå ùì àãí, 1964, øñèåøöéä ò"é ùîòåï éðåáéõ, 2009Rene Magritte, The Son of Man, 1964

Rene Magritte

There’s no doubt that, as a Surrealist, Magritte was inspirational to young people in the sixties who were inclined to listening to psychedelic music or had a whimsical imagination. With Barrett, Magritte is mostly associated with his ‘Vegetable Man’ phase, in times when his LSD usage was getting out of control, just prior to being kicked out of band. Magritte is, along with Dali, another Surrealist that appealed to Barrett’s imagination. Belgian artist, Magritte meticulously painted similar, everyday objects like men in suits, clouds, pipes, umbrellas and buildings with strange compositions and shadows. In ‘The Son of Man’, some have suggested that he was dealing with the subject of one’s own identity, and that might be something that appealed to Syd when he appeared in the promotional picture with spring onions tied to his head which is an obvious wink to Magritte, not to mention Acimboldo.

1875. Les Raboteurs de parquet - Gustave CaillebotteGustave Caillebotte, Les Raboteurs de parquet, 1875

Gustave Caillebotte

Lying in bed one morning, he stared at his blanket’s orange and blue stripes and had a flashback to Gustave Caillebotte’s 1875 painting ‘The Wood Floor Planers’, which depicts workers scraping the wood floors of a sunlit room in striated patterns. Inspired, with Storm Thorgenson’s garish orange and red room at Egerton fresh in his mind, he got up, pushed his few belongings into a corner, and sauntered off to fetch paint from the Earl’s Court Road.

This is perhaps Caillebotte’s best legacy – inspiring Syd Barrett to paint his floor in stripes which later ended up gracing his first solo-album, the famously dark and whimsical ‘The Madcap Laughs’, released on 3 January 1970. Like the cover, other pictures taken that spring day in 1969 by Mick Rock and Storm Thorgenson, are all filled with light and have a transcendent mood.

1935-dali-paranoiac-visageDali, Paranoiac Visage, 1935

Dali

I believe none of you are surprised that Dali is on this list. Anyone who is familiar with his art will know that it ties very well with the music of Pink Floyd, and perhaps some other psychedelic bands. There’s no one quite like Dali in the world of art. Art he created, like Surrealism in general, is a visual portrayal of Freud’s ideas of the unconscious, and is based on irrationality, dreams, hallucinations and obsessions. His paintings are mostly hallucinogenic landscapes in the realm of dreams; realistic approach combined with deformed figures and objects which, just like in the art of Giorgio de Chirico, evokes feelings of anxiety in the viewer.

When I like an artist, musician or a writer, I always want to know what inspired them, or what they thought of something that I love. What did Barrett really think of Modigliani, for example? But, some things will forever stay a mystery. Perhaps it’s better that way.

My Inspiration for December III

31 Dec

This December I was inspired by Degas’ ballerinas, music by Syd Barrett, Rolling Stones (The Last Time), Velvet Underground, The Byrds (Eight Miles High), The Kinks, and some tunes by John Coltrane – Tunji and India. Painting, daydreaming, striped floors and tutus; that seems to be all there is to my December days. Oh, and I’ve watched Sing Street (2016) and I thought it was very good!

1877. Degas - The Green Dancerssyd-37

Redon, OdilonEdinburgh by Daniel Farò

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1967. New York's Young Design Scene 6syd 33

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Inspiration: Syd Barrett, Ballerinas, Games, Dreams and the 1960s

23 Dec

So, this is what inspires me at the moment: Syd Barrett, 1960s Yardley makeup ads, harlequins, pierrot, clowns, ballerinas, striped floors, circus, pictures of Jean Shrimpton, Degas, psychedelia… Enjoy the pictures!

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1877. Degas - The Green Dancerssyd 19

1967-the-john-schroeder-orchestra-the-dolly-catcher-1967-piccadilly-uk1905. Edgar Degas (1834-1917, France) - Two Dancers, Pastel1960s-ads-for-yardley-cosmetics-featuring-jean-shrimptonsyd-and-pink-floyd-71873-jean-beraud-ballerina1880. Edgar Degas, detail from Ballet Dancers in Butterfly Costumes1897. Dancer and Tambourine - Edgar DegasSource: http://sweetjanespopboutique.blogspot.hr/2015/11/bermubas-de-rosy-1968.html

1896-dancer-putting-on-her-slipper-degassyd-and-pink-floyd-61961-brigitte-bardot-in-a-very-private-affair-1961-pigtails1927-pierrot-par-victor-ivanovich-ufimtsev1960s london looksyd-771912-ballet-russes-by-august-macke

syd-781960s-makeup-green-eyes1877-78. Two Dancers Entering the Stage - Edgar Degas1960s-pattie-boyd-421961-max-factor-cosmetics-19611873. The Dance Class by Edgar Degas1960s girls