Tag Archives: june

My Inspiration for June 2021

30 Jun

This June my imagination took me to the beautiful lush gardens of Italy such as the Garden of Ninfa where I imagine the distant sound of Faun’s flute and the nymphs splashing water and laughing while the breeze carries a delicate yet sweet floral scent that lulls the senses into an everlasting dream… Eleanor Fortescue-Brickdale’s watercolour “Youth and the Lady” seems like a scene from such a dreamy garden. Since I was reading Charlotte Gordon’s amazing biography on Mary Wollstonecraft and Mary Shelley, I also travelled in my mind to the beautiful places in Italy that Percy and Mary Shelley lived in, such as Naples with the Mount Vesuvius and Pisa. I also enjoyed paintings by Greuze and photographs by Francesca Woodman.

“All cruelty springs from weakness.”


“Empathy without boundaries is self-destruction.”

(Silvy Khoucasian)

“Future joys are like tropical shores; like a fragrant breeze, they extend their innate softness to the immense inland world of past experience, and we are lulled by this intoxication into forgetting the unseen horizons beyond.”
(Gustave Flaubert, Madame Bovary)

Eleanor Fortescue-Brickdale, Youth and the Lady, 1905


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Francesca Woodman, Polka Dots, November 1976

Max Kozloff, Francesca Woodman, 1981

Carol Kane photographed by Jean Pagliuso, 1975

By @labohemejulia

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Garden of Ninfa, province of Latina, Italy.

By cadreg@tt on Flickr

Francesca Woodman, Woman with Large Plate, Roma (1978)

My Inspiration for June 2020

30 Jun

The thing that gave me the most excitement this June were the books that I’ve read and am still reading; “Stepford Wives” by Ira Levin; simple manner in which the novel was written hides the deeper, haunting themes and it left me thinking and pondering, then Stephen King’s “Carrie” which was as amazing as I had expected and I found that I could relate to Carrie as an outsider and a weirdo in high school, and I am still reading a novel which seduced me from page one; John Fowles’s “The Collector” published in 1963, about a socially awkward guy who collects butterflies and one day kidnaps a girl he’d spent time admiring from afar, wildly enthusiastically hoping that she would then see his good side and fall in love with him, which you can imagine doesn’t quite happen. I’ve read a few interviews with Bret Easton Ellis which sparked my interest in his work again. Visually speaking, the landscape of my imagination was haunted by outdoor scenes of flowers and leisure, Frieseke’s magical garden scenes, paintings of rosy cheeked girls by Robert Henri, Charles Burchfield’s poetic decay, Prendergast’s delightful watercolours of ladies in parks, with elegant parasols and hats.

“Feelings aren’t facts and opinions aren’t crimes and aesthetics still count—and the reason I’m a writer is to present an aesthetic, things that are true without always having to be factual or immutable.”

(Bret Easton Ellis)

“Remember June’s long days, and wild strawberries, drops of wine, the dew.

(Adam Zagajewski, from “Try to Praise the Mutilated World”)

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Catherine Deneuve in UK filming 1965 British psychological horror Repulsion, London, Friday 2nd October 1964. Photo by Wilson.

Model and actress Ingrid Boulting, London, UK, February 1968, Photo by Hilaria McCarthy/Daily Express.

chrysanthemum by keika hasegawa

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My Inspiration for June 2018

29 Jun

This June was a splendid month in my castle by the sea! My garden and flowers, going down to the river or simply gazing at sunsets has brought me immense joy and I am so happy that summer has finally arrived. I’ve enjoyed reading Pablo Neruda and Federico Garcia Lorca’s Sonnets of Dark Love, Anais Nin’s essays On Writing, listening to Blondie, The Police, and Nick Cave’s song Do you love me which has a hypnotic power over me.

I started reading Gabriel García Márquez’s “One Hundred Year of Solitude” again and it is a source of many lovely daydreams, his writing isn’t magic realism but pure magic that touches the heart and soul! Here’s a quote about Aurelio’s infatuation with Remedios, the pretty girl with lily coloured skin and emerald green eyes: “The house became full of love. Aureliano expressed it in poetry that had no beginning or end. He would write it on the harsh pieces of parchment that Melquiades gave him, on the bathroom walls, on the skin of his arms, and in all of it Remedios would appear transfigured: Remedios in the soporific air of two in the afternoon, Remedios in the soft breath of the roses, Remedios in the water-clock secrets of the moths, Remedios in the steaming morning bread, Remedios everywhere and Remedios forever.

I watched three very good films, and I don’t watch a lot of films; a perfectly dreamy, flowery and mysterious Picnic at Hanging Rock (1975), Ladybird (2017) which was very amusing, and Pedro Almodovar’s Julieta (2016) which was deeply sad and poignant. Oh, and I discovered an Uruguayan poet Delmira Agustini (1886-1914) and have been enjoying her whimsical and vibrant poetry.

“I’ll adore you, as a drowned person does the sea.”

(Renée Viven, The Ranson)

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Photo by Julia Starr.

photo by Natalia Drepina

Autumn garden by Jan Hruška.

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Golden afternoons by Pedro Gabriel.

“I live to dream again”, picture found here.

My Inspiration for June III

30 Jun

This month I’ve been inspired by lots of things; from Czech New Wave, Prague and Egon Schiele to La Belle Epoque, films by Ken Loach and books ‘Just Kids’ by Patti Smith and ‘The Incorrigible Optimists Club’ by Jean-Michel Guenassia.

I have quite a few films to recommend: Career Girls (1997) by Mike Leigh starring the always off-beat and interesting Katrin Cartlidge, Kes (1969), Looks and Smiles (1981) and Poor Cow (1967) by Ken Loach, Violette Noziere (1978) with Isabelle Huppert as a pretty prostitute and a cold murderer, Barefoot in the Park (1967) with Jane Fonda and Robert Redford, Georgy Girl (1966), and then the Czech ones: Daisies (1966), Valerie and her Week of Wonders (1970), Morgiana (1972) and Alice (1988) – these are the quirky ones I really loved, and The Loves of a Blonde (1965) by Milos Forman is a more kitchen sink drama style.

I also really loved the song ‘Working Class Hero’ by John Lennon, although I prefer the Marianne Faithfull version:

Keep you doped with religion and sex and TV,
And you think you’re so clever and classless and free,
But you’re still fucking peasents as far as I can see,
A working class hero is something to be…

Sedmikrasky (1966) 301918. Edge of Town (Krumau Town Crescent), 1918 Egon Schiele

Bruges at Dusk

1997. Career Girls - Katrin Cartlidge, Lynda Steadman 5 miss pandora 1035Source

1967. Poor Cow (1967), Ken Loach, Terence Stamp, Carol White 11

1967. Poor Cow (1967), Ken Loach, Terence Stamp, Carol White 10

1967. Poor Cow (1967), Ken Loach, Terence Stamp, Carol White 3

une femme est une femme 28

1967. Trafalgar Square, London in September, 1967.

1900. Pierrot And Colombina, Pablo Picasso (Pierrot et Colombine), 1900

1850s François Claudius Compte-Calix, Ladies in the Park, 19th century (date unknown)Eilean Donan Castle

1978. Violette Noziere (1978), director Claude Chabrol, Isabelle Huppert 2

1978. Violette Noziere (1978), director Claude Chabrol, Isabelle Huppert 3

1978. Violette Noziere (1978), director Claude Chabrol, Isabelle Huppert 1

Warsaw, town square

miss pandora adeline rapon 4

Sourcevictorian interior my cup of tea1900s Two ladies in lace gowns

1970. Valerie and Her Week of Wonders (1970), Jaromil Jires, Alena Stojakova 1prague 1

Sedmikrasky (1966) 51

Sedmikrasky (1966) 37

1970. Valerie and Her Week of Wonders (1970), Jaromil Jires, Alena Stojakova 2

1970. Valerie and Her Week of Wonders (1970), Jaromil Jires, Alena Stojakova 26Prague at Dusk

1972. Morgiana (1972) dir. Juraj Herz 2

1972. Morgiana (1972) dir. Juraj Herz 6

Alice (1988), Jan Švankmajer 1

Alice (1988), Jan Švankmajer 3

Alice (1988), Jan Švankmajer 4

1910s Beautiful lady 11969. Kes 3

1967. Jane Fonda & Robert Redford in Barefoot in the Park 61967. Jane Fonda & Robert Redford in Barefoot in the Park 2

1895. Lesser Ury - Im Café Bauer

1941. Phyllis Brooks The Shanghai Gesture (1941)