Illustrations by Warwick Goble, Arthur Rackham and Edmund Dulac – a rather cheerful topic on this ‘damp and lonely Thursday‘.
My mother used to read to me every night when I was little, not only those common children’s books such as Grimm’s fairy tales, Peter Pan, Pippi Longstocking or Alice in Wonderland, but all sorts of myths and legends: Native American myths and legends, Persian fairy tales, stories from ‘One Thousand and One Nights’, and tales from Scandinavian and Slavic folklore. I’ll forever be grateful for the time she spent reading to me and the variety of cultures she introduced me to because all of these things made me an open-minded person that I am. Later I read The Lords of the Rings by myself and entered the magical world of Arhurian legends, but it all started from there: me sitting in my mother’s lap and listening with excitement to her imitations of the characters’ voices. ‘You only have to read the lines, They’re scribbly black and everything shines.‘ (Syd Barrett) I think the best thing you can do for children is to read to them.
“When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty, I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.”- C. S. Lewis
All three artists were book illustrators, mostly remembered for their magical illustrations of fairy tales and children’s stories. Although I love all of their illustrations, I must say that Warwick Goble’s work appeals to me the most because he specialised in Japanese and Indian themes. Different cultures always excited me. I like his usage of sombre colours and a mystic mood of his night scenes, not to mention the beautiful lotus flowers, fairies and interesting clothes.
Arthur Rackham was a well-known British illustrator, most active in the first three decades of the twentieth century. I particularly like his illustrations of Alice in Wonderland (1907) and A Midsummer Night’s Dream (1908). The first illustration you can see down below is my favourite ever depiction of Alice; I just love all those cards flying around. I must say that many of Rackham’s illustrations have a sinister mood, Pandora’s Box for example, or his depiction of trees and those maidens with their hair floating on the water.
Edmund Dulac was a French-born but British naturalised magazine and book illustrator. As soon as he arrived in London at the age of twenty-two, he was commissioned to illustrate Jane Eyre and other novels by Bronte sisters. He went on to become a prolific artist with a diverse oeuvre, having illustrated all sorts of themes, from The Arabian Nights (1907) to Edgar Allan Poe’ poems in 1912. I like his illustrations of The Rubaiyat of Omar Khayyam (1909), and, as you can see below, he beautifully painted the sea in his illustrations of Little Mermaid; castle under the sea, the waves – it’s all just the way I imagined it.
And just one more illustration from the similar time period, ‘The Court of Faerie’ (1906) by Thomas Maybank
Isn’t it a shame that modern illustrations aren’t as interesting or as imaginative as they once were?