Manic Street Preachers – The Holy Bible

29 Aug

Exactly twenty years ago, the Manics released their third album; dark and haunting The Holy Bible which shows Richey’s state of mind at the time and stands, even now two decades later, as a testiment to those times; 1994 when the Manics were recording The Holy Bible in a cramped Cardiff studio avoiding and ignoring the wretchedly dull Britpop that ruled the charts.

The Holy Bible, released in 1994, is perhaps the most critically acclaimed album of their entire career. For me it was to dark and miss understandable when I first started listening to Manics, but I feel that with their first three album you just have to ripe to be able to fully appreciated them. That’s what happened to me; after the initial infatuation and rapture with Generation Terrorists, I started exploring the sound of Gold Against the Soul, only to end up loving The Holy Bible more than I could have ever imagined. Fact about this album is that the singles are not the best songs at the album; so you have She is suffering, Revol, Faster and P.C.P, which are all undoubtedly good songs, but songs such as Yes and Die in the Summertime are maybe even better.

The Holy Bible displayed yet another musical and aesthetic change for the band as they had started listening to their early musical influences such as Joy Division. The music shifted to a darker, post-punk, almost gothic sound. The lyrics, mostly written by Richey Edwards, are brilliant in their honesty, depth and genuine darkness, described by Sean Moore ‘as far as Richey’s character could go.’ Song ‘Yes’ was the one that caught my attention the most. Despite its focus on prostitution, the song’s meaning is much wider (‘Ev’rything’s for sale’). Everybody wants power, and money, that comes along, can buy everything, including a prostitute whose wishes and desires are ignored for she’s just an object of somebody’s lust. She feels like in a purgatory because someone will always say yes and confirm her sad, sad life. ‘And I don’t know what I’m scared of or what I even enjoy/ Dulling, get money, but nothing turns out like you want it to/ I eat and I dress and I wash and I can still say thank you, Puking – shaking – sinking I still stand for old ladies, Can’t shout, can’t scream, I hurt myself to get pain out/…Power produces desire, the weak have none.These sunless afternoons I can’t find myself.’ What value does it put on things if you can buy everything. What pleasure can arrive from something you’ve got only because of your money.

Song Faster is perhaps their best single and it’s one of the songs from this album I’ve first fell in love with. This song leads me to Manics’ melodies; they’re so thrilling, unusual but captivating. None of their songs sounds like something you’d expect from a song; riff, overture, chorus, the end. No, their songs sound so fresh, dynamic, strong, brutally honest, and, as I know that these lyrics were hard to write music for, I bow to James Dean Bradfield and Sean Moore for making such brilliant, haunting melodies. Anyways, song Faster is the one whose lyrics stayed in my head for a long time. ‘I am an architect, they call me a butcher, I am a pioneer, they call me primitive, I am purity, they call me perverted/ I know I believe in nothing but it is my nothing/ So damn easy to cave in, man kills everything.’ Perhaps the universal feeling of an artist; to be called primitive when in fact you’re a pioneer while the people surrounding you are actually primitive and their apathy and void are barriers for them to understand something far beyond their mind set.

Song ‘Die in the Summertime’ can describe what was going on in Richey’s head at the time, though he said it himself it was about an old man wanting to die with a childhood memoirs in his head. ‘Scratch my leg with a rusty nail, sadly it heals, Colour my hair but the dye grows out, I can’t seem to stay a fixed ideal.’ I can’t possibly express the rapture and enthusiasm when I hear James’ voice singing ‘…stay a fixed ideal’ for he sings the last word is such a striking way. He really succeed in conveying the lyrics to music in a way that it created a unified ensemble. ‘I recognize dim traces of creation, I wanna die, die in the summertime, I wanna die…’

Nicky is responsible for the song ‘Ifwhiteamericatoldthetruthforonedayitsworldwouldfallapart’ which is not an attack on America, as some may suggest, but it’s about ‘how the most empty culture in the world can dominate in such a total sense.’ It’s crazy, when you think about it, how we let America be the standard in its so called culture and lifestyle, while Europe is a true ‘cradle of civilization’. I think we shouldn’t uncompromisingly accept everything America has to offer.

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